Native Lands

The ultimate issue is to bring the problematic one with regard to the concept of native land and what this meant literally for Person. Briefly let us see the concept of native land and nation searched in Minidicionrio of the Portuguese Language of Evanildo Bechara: native land (shovel. tri: ) sf. Country where if it is born and/or of which if she is citizen. Of lat. Find out detailed opinions from leaders such as Richard Blumenthal by clicking through. native land, ae.

; nation (in the .o) sf. 1Comunidade politically organized in definite territory and whose members are conducted by the same constitution. 2Esse territory; country. 3O people who inhabits this territory. 4Terra native; native land.

5Tribo aboriginal. Pl.: nations. Of lat. natio, onis.. Eduardo Loureno in its text ‘ ‘ Of the language as ptria’ ‘ , he shows what really Fernando Person it was wanting saying in them when it is mentioned to the native land in its citation, in the truth Person it is if relating to its ‘ ‘ identidade’ ‘ , because she is through this language that it invents itself, leaving in its workmanships the peculiar characteristics of its language mother, the Portuguese Language. She observes in this I break up of removed Person of the text of Eduardo Loureno ‘ ‘ this language that through me if becomes a reality not only alive, but only, the language through which I invent Fernando Person, is it mine ptria.’ ‘ Eduardo Loureno all explores during the text the concept of native land and nation. Native land is considered as a human group, a tribe, that if communicates and if they understand from a proper language.


Since Tom that paid people pra to see the utopia certainly to take advantage and the Corias proliferating (and are not that she lacks faith to Bahian) Continues it voting (But not raisins of a former-vote of the miracle that the demon comes practising) When unmasking the adventure human being, the writer if comes across with the city and its problems, consequence of the impact of the urbanization – industrialization on the life of all. Hidden in its enigma, to the city the writer defies to decipher it, demanding of it a look that sees beyond the appearances and that it has touched in the soul of the streets. As well as Gregorio de Matos, Capinan standes out the clutters, fruit of covets material and of the easy and descomprometido enrichment of who it only intends to usufruct of the city, its verses indicate a scholar, made familiar to the poetry its contemporary, at the same time, deeply immersed in the daily one of its city. For the understanding of the symbolic productions between imaginary and Capinan identity he has bonanza importance, because in its verses they can be chores real representations of Salvador. Read additional details here: Steven Rattner financier. The poem ' ' I sing Gregoriano&#039 almost; ' it portraies a degraded, exculpatory and promiscuous city, ' ' The ones that before there they stole, had passed the point to the doctors? The dealers had changed of drugs and the merchants, vendem other illusions, and the love quoted in dollar? ' ' being able to be read as the register of the daily one of our time, that is, a society still marked by disequilibria and intense inaqualities, through its verses the poet portraies subjects faithful as the prostitution and the traffic of drugs, subjects that before were not boarded in poetical. To the speech of it covets of the governing, something extremely strong in the poetry of Capinan for trying to demonstrate to its ideals politicians the poet makes one criticizes to the indifference of all the governing that had this way passed that instead of if worrying about the welfare of the city they only aimed at the enrichment, exactly that this cost to the degradation and the delay of the city.


Search this that is not placed in the relation of having and yes of the being, therefore, not wanting to invest of the European roupagem, finishes as the man mixes being at the same time what attentive to defend and what renega. Somebody that, second (FERRAZ 2002, P. 1004); ' ' Total unprovided of it identifies what it properly, needs, according to Nietzsche, of fancies of multiple disguises to occult its feira how much to aplacar its desperation, its proper 11 absence of ' ' prprios' ' ' ' thus reflecting the Macunama in the attempt to know all of culture to know itself exactly thus constructing to its &#039 to it; ' prprio' '. Therefore what in Nietzsche if it presents as caricature, exaggerating what already it exists, in the case? European culture? , in Macunama if it presents for parody for exaggerating a culture supposedly Brazilian, however derived from the Europe, in the intention to project the proposal, possible to exist? the Brazilian culture? Leaving then of the understanding of that the parody if presents as one of the constituent elements of the text in Macunama she is necessary finds it. Task not very difficult if to take as control point one of its characteristics more perceivable as, second (HUTCHEON 1985, P.

48) ' ' transconstextualizao and inversion, repetition with difference' ' what it can more easily be understood as the use of one determined text for another author who of it if possesses differentiated it he rewrites it. It is clearly that the terms transcontetualizao and inversion deepen more the understanding of the parody, but to this if it will return more ahead, for the moment is enough what it can semantically happen of these two terms; repetition and difference. One is overcome for example the first paragraph of Macunama, (ANDRADE 2000, P. 13) ' ' In the deep one of the virgin weeds was born Macunama' ' overlapping it parallel to the text of Iracema, Alencar ' ' In the way of the virgin bush was born Iracema' ' the same phrase repeated with the difference marked in the two terms, that if present as a followed common substantive of an adjective.


Being these (aboriginal peoples) incorporated to the civilization (modern society), they go losing its cultural peculiarities, through aculturao process. It is what one observes in a research ordered for UNESCO to anthropologist Darcy Ribeiro regarding the indians and whites in Brazil? where 87 aboriginal groups had left to exist, between 1900 and 1957. Moacir (mestization) and its descent had grown and if they had multiplied in such a way, that today he is not more the husband (Martim/colonizador) that ‘ ‘ mata’ ‘ the wife (Iracema), but also Moacir (the son) she succeeded that it in matricide. We leave of being colony, but she will be that we leave of being aculturados? How many if they do not leave to lead for mercantilistas literatures that dictate the form as if it must speak or even though to be dressed; what we eat is what really we desire? Where they are our roots? They had still made it and they continue making with/as the indians? Certainly between meeting and failures in meeting we look a way for rightnesss and searchs of our identity. If it does not have to forget that the literature produced in Brazil possesss paper of prominence in the culture of the country.

International Festival

One of assediados letristas becomes of the time and is successful with Edu Wolf the Festival of the Record of 1967, with the song ' ' Ponteio' '. Again in partnership with Gil it composes ' ' Soy Loco for You, Amrica' ' , and it integrates the historical record ' ' Tropiclia' ' (68), to the side of Caetano, Gil, Mutants, The GAL Coast, Tone Z, Rogrio Duprat and Torquato Grandson. Still it makes partnerships with great names of music, as Jards Macal (in ' ' Gotham City' ' , vaiadssima in IV the International Festival of the Song of 1969), Fagner (in ' ' As if Fosse' ') Geraldo Azevedo (in ' ' It will be All For Todos' '). In 2000, &#039 composed the opera; ' King Brazil 500 Anos' ' to the side of Fernando Cerqueira and Golden Pablo. The city never left of being praised, however to exaltar its largeness however to state the impressions personal. It is this visual impact that constitua the first tradition if to form around the city. The relations of the diverse poets with the city go if modifying with elapsing of the time.

The poetry initially represents the nature, later starts to represent the city without no shame ahead, having in this new perspective a desire of the city for the aesthetic one. In the measure where we introduce modernity we lose the nature, after all, the city configures a new environment for the poet. Baudelaire is the poet who recognizes the new city and the man of multitudes, modernity for it is the possibility to transform into poetical everything that of artificial, grotesco and ugly. The Capinan poet inhabits the city and if it feels pertaining and incorporated. It is the typical man of the multitude, that circulates for the street, if transforming of this form into a common man.


The REALISM IN PORTUGAL AND BRAZIL 10.1.REALISMO IN PORTUGAL (1865-1890): It does not remain doubt of that the Realism in Portugal was born with the call Coimbr Question. In Lisbon the Romantic generation was commanded by Feliciano de Castilho, always faithful to the chain. In Coimbra a group if kept on to the Realism of Antero de Quental. The partisans of Antero de Quental, waited the chance to attack the partisans of Castilho. Each group defended its style. In l865 Castilho, in a psfcio, it placed in the Poem of the Youth of Pine Chagas, a small reference the Coimbra, affirming to lack &#039 to it; ' good common-sense and gosto' ' , nominally saying the names of Tefilo Braga and Antero de Quental. The fact is that Antero de Quental if found offended and was how much was enough to inflame a revolutionary ardor of the youth, that waited a moment to publish its ideals.

In reply the Castilho, Antero writes in aggressive terms in an open letter: ' ' Good common-sense and gosto' '. The question continued. The public lectures of l87l had been displayed and debated several tending questions to the definition of the lines of direction of new literature. The Realistic generation, also known for generation of l870, inaugurated in Portugal the primate of science and the Positivismo and accepted and spread out the revolutionary theories concerning history and of the culture. The time was crossed by 3 literary schools: The Realist, the Naturalist and the Parnasiana. In Portugal he did not have a clear separation between these three schools. The Realism in Portugal took care of more the designs of the social revolution and politics. 10.2.POESIA REALISTIC – POETS AND WORKMANSHIPS the poetry is pragmatic, serving the verse of combat weapon, of social reform and politics. The revolutionary direction was the characteristic trace of the Realistic poetry.